Grab the great new single from Jerry Leger, “Jumped In The Humber,” now from Bandcamp. Produced by Michael Timmins of Cowboy Junkies it features Jerry playing once again with his longtime band the Situation.
With under a month to go until the release of his new album Cope on April 18, Toronto singer/songwriter Darcy Windover has released a new video for the single “Lonesome Feather.” It can viewed now exclusively at Great Dark Wonder.
The majestic Americana sound of “Lonesome Feather” is indicative of Cope as a whole, Windover’s most accomplished collection of material so far in his young career. Recorded with producer John Dinsmore (Kathleen Edwards, NQ Arbuckle) and his trusted band, including co-writer and duet partner Stacey Dowswell, the album sparkles with sonic and emotional depth recalling classic Tom Petty and Blue Rodeo records, but with an immediacy that places Windover squarely in the conversation about the best up-and-coming Canadian roots rock artists.
“Lonesome Feather” follows on the heels of the first single from Cope, “How To Be Lonely,” proceeds from which Windover donated to Cam’s Kids, a non-profit charity offering support to youth struggling with anxiety. Windover had previously entered “How To Be Lonely,” in the 2017 CBC Searchlight competition where it was named a regional finalist.
With other songs on the album dealing with issues surrounding mental illness, Windover has made one of the most inspiring and uplifting albums of the year. Its title, Cope, pretty much says it all.
Cope Album Launch: Thurs. April 18 @ Dakota Tavern, Toronto (7pm-9pm) TICKETS
There’s a revolution underway in country music, and Aaron Allen is doing his part. On his latest album, Judgement Day — released April 27 on Shakey Wheel Records — the native of London, Ontario shows his solidarity with artists such as Chris Stapleton, Sturgill Simpson and Jason Isbell in bringing country back to songs about real life and real people. Although Allen reveres country music’s legends, he isn’t by any stretch a traditionalist. With much of his body inked, he doesn’t immediately resemble most people’s image of a country singer. But from the moment he kicks his band into gear and launches into one of the new album’s signature tracks, “Rambling Man,” there’s no questioning his authenticity or conviction.
Judgement Day was recorded essentially live at London, Ontario studio The Sugar Shack with Allen’s Small City Saints – guitarist/producer Dan Brodbeck, drummer/co-producer Archie Gamble, fiddle player Tara Dunphy (from The Rizdales), bassist Simon Larrochette (formerly of Olenka and the Autumn Lovers), pedal steel guitarist Doug Johnson, mandolin player Blair Heddle (also from The Rizdales), and organist Michael Bonnell.
The spontaneous recording approach perfectly complements Allen’s plainspoken writing style, which digs deeper into country music’s familiar themes on songs like “Whiskey On My Mind,” “Cold Shoulder” and “Runaway.” Although in the past he’s often been compared to Steve Earle, Bruce Springsteen and cult hero Chris Knight, Judgement Day finds Allen boldly staking out his own territory by drawing from his own experiences, particularly on the aforementioned “Rambling Man.”
“I wrote that song about my drummer Archie Gamble,” Allen says. “He’s been on the road for over 30 years, and I have a ton of respect for his commitment. Music is everything to him and he’s put all else aside to achieve his dream. I’ve spoken with him many times about how the scene has changed. He’s been through a lot of tough times, but for him it’s been a hell of a ride that he would never trade for anything in the world.”
With Judgement Day, Aaron Allen now begins a significant new stage of his own ride, one that’s poised to add his name to the conversation about Canada’s best new roots rock artists.
Happy release day to Toronto singer/songwriter Jon Stancer whose debut solo album, For The Birds, is now officially available through iTunes, CD Baby and Bandcamp. Produced by Jono Grant (John Southworth), the album is a collection of lush hook-laden pop-rock, connected by lyrical themes that touch on reclusiveness and resurgence, regret, revision and rejuvenation.
The results on For The Birds contain all the basic ingredients for great rock and roll: energetic drums, buoyant bass lines, bright acoustic and shiny electric guitars, piano and organ, with horns, strings and a range of percussion adding sonic nuances.