Grab the great new single from Jerry Leger, “Jumped In The Humber,” now from Bandcamp. Produced by Michael Timmins of Cowboy Junkies it features Jerry playing once again with his longtime band the Situation.
Today, Scott MacKay releases his new album Stupid Cupid, a collection of 10 original songs that combine the Charlottetown PEI native’s sharp contemporary wit with his fondness for vintage country music of the ’50s and ’60s. Stupid Cupid is available on all digital platforms, and Scott MacKay’s Bandcamp page.
MacKay co-produced Stupid Cupid with Adam Gallant at The Hill Sound Studio in Charlottetown, with mixing done by Scott Franchuk in Edmonton. His third full-length effort, Stupid Cupid features MacKay backed by his regular rhythm section of Josh and Sam Langille, along with renowned guitarist Grant Siemens and pedal steel master Burke Carroll. For MacKay, the project is a reflection of what he describes as getting bit by the classic country bug since his previous release.
“I really became smitten with songwriters such as Shel Silverstein, Hank Williams, Bobby Bare, Roger Miller and others,” he says. “It made me focus my attention on improving my songwriting, and I tried to learn as much about it as I could. I took a lyric writing class, a storytelling class, and a creative writing class. I even took part in a songwriting workshop in Nashville where I got to meet and learn from some of the greatest songwriters in the world.”
The results of that hard work speak for themselves on Stupid Cupid. From the title track’s protagonist having his plan to win his dream girl go terribly wrong, to the tale of someone receiving a “Brand New Heart” from a man killed by his lover, to the surprisingly philosophical “God Walks Into A Bar,” MacKay effortlessly breathes new life into longstanding country music themes. However, it’s all designed to put a smile on your face, as well as a tear in your beer.
Click the logo below to watch the video for “Romance Novel” at The Bluegrass Situation.
Click the single art below to purchase The Hello Darlins’ “Aberdeen” from Apple Music or to stream on Spotify.
With their impeccable pedigree, The Hello Darlins continue to shake up the Americana and Roots music scene with each single they release leading up to the arrival of their full-length debut album, Go By Feel. Their latest offering, “Aberdeen,” (out now on digital platforms) features singer/guitarist Joey Landreth of The Bros. Landreth, the latest addition to The Hello Darlins collective, showing again how they’re living up to their reputation as “the Broken Social Scene of Americana.”
Jerry Leger‘s new video for “Read Between The Lines” is a brilliant piece of Rotoscope animation by Karly McCloskey. The song also happens to be my favourite from Jerry’s latest album Time Out For Tomorrow. Watch it here or at these links!
As she’s proven over the past two years, Edmonton singer-songwriter Andrea Nixon is an artist who believes that one’s life and one’s music are inseparable. That was the foundation of her acclaimed debut album, Diary Of A Housewife, and those who have yet to check it out have another opportunity now with the release of its latest single, “Stronger Than The Storm.”
It’s unfortunate timing that the song arrives immediately after Hurricane Dorian, but its message of hope can offer solace to those affected, and to anyone else going through challenging times.
You can get “Stronger Than The Storm” from iTunes, and hear it at Roots Music Canada by clicking below.
Happy release day to Belle Plaine’s Malice, Mercy, Grief and Wrath! Here’s what the critics are saying:
“If this album were a house, it would loom large, stand Gothic and you would find its heart in a foyer that holds a grand piano.” Exclaim!
“Belle crochets a wonderful mix of old country, classic western, alternative rock, and jazz swing to create a beautiful blanket of music that is an artistic keepsake.” No Depression
“Her new album [is] full of questioning, of the past, present and the future, exploring autobiographically-related themes of grief and loss though songs steeped in classic country influences.” Folking.com
“One of the most wonderful things I’ve heard this year.” Mike Bell, The YYScene
“Malice, Mercy, Grief and Wrath shines with textures of classic country music, including some of the hip jazz changes that were commonplace with mid-60s Nashville-produced records, while keeping an eye toward the future sonically, with parts that might not seem out of place on a Wilco album.” BeatRoute
Get it from iTunes
There’s a revolution underway in country music, and Aaron Allen is doing his part. On his latest album, Judgement Day — released April 27 on Shakey Wheel Records — the native of London, Ontario shows his solidarity with artists such as Chris Stapleton, Sturgill Simpson and Jason Isbell in bringing country back to songs about real life and real people. Although Allen reveres country music’s legends, he isn’t by any stretch a traditionalist. With much of his body inked, he doesn’t immediately resemble most people’s image of a country singer. But from the moment he kicks his band into gear and launches into one of the new album’s signature tracks, “Rambling Man,” there’s no questioning his authenticity or conviction.
Judgement Day was recorded essentially live at London, Ontario studio The Sugar Shack with Allen’s Small City Saints – guitarist/producer Dan Brodbeck, drummer/co-producer Archie Gamble, fiddle player Tara Dunphy (from The Rizdales), bassist Simon Larrochette (formerly of Olenka and the Autumn Lovers), pedal steel guitarist Doug Johnson, mandolin player Blair Heddle (also from The Rizdales), and organist Michael Bonnell.
The spontaneous recording approach perfectly complements Allen’s plainspoken writing style, which digs deeper into country music’s familiar themes on songs like “Whiskey On My Mind,” “Cold Shoulder” and “Runaway.” Although in the past he’s often been compared to Steve Earle, Bruce Springsteen and cult hero Chris Knight, Judgement Day finds Allen boldly staking out his own territory by drawing from his own experiences, particularly on the aforementioned “Rambling Man.”
“I wrote that song about my drummer Archie Gamble,” Allen says. “He’s been on the road for over 30 years, and I have a ton of respect for his commitment. Music is everything to him and he’s put all else aside to achieve his dream. I’ve spoken with him many times about how the scene has changed. He’s been through a lot of tough times, but for him it’s been a hell of a ride that he would never trade for anything in the world.”
With Judgement Day, Aaron Allen now begins a significant new stage of his own ride, one that’s poised to add his name to the conversation about Canada’s best new roots rock artists.