Joe Nolan’s Cry Baby debuts at #1 at CKUA!

Joe Nolan CKUA

Congratulations to Joe Nolan, whose new album Cry Baby debuted this week at the top of CKUA’s Top 30 chart (ahead of Paul McCartney, Paul Simon and Richard Thompson no less!)

Cry Baby marks Joe’s return to making music after a four-year gap, with each song an emotionally charged folk-pop gem. Get it at joenolanmusic.com

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#NewMusicFriday: Roxanne Potvin / Joe Nolan

Not one, but two awesome releases today!

Roxanne Potvin-All It Was COVER

“There is not a false move here, with each track standing alone as a subtly-crafted gem.” Exclaim!
“[goes] deeper into her personal journey while adding elements of psychedelia and neo-soul to an ever-expanding sound.” Popmatters
“After 2016’s roots surprise For Dreaming LP… this five-track EP is an even wider, wilder ride.” Bob Mersereau/Top 100 Canadian Blog

All It Was release shows:
Sept. 21 :: Ottawa ON :: Live On Elgin
Sept. 22 :: Toronto ON :: The Painted Lady

roxannepotvin.com

Joe Nolan-Cry Baby COVER

Cry Baby is going to take Nolan to some fantastic places. He just doesn’t know where yet and, probably, doesn’t want to.” VUE
“Joe Nolan will make you feel many things, but apathy is not one of them.” Spill Magazine
“There is charm in his chaos, a youthful maturity, a broken journey but a hopeful return.” Great Dark Wonder

Cry Baby release shows:
Sept. 21 :: Calgary AB :: King Eddy
Sept. 22 :: Edmonton AB :: CKUA

joenolanmusic.com

Craig Robertson’s Late Mornings out now!

Craig Robertson-Late Mornings [Cover]

Read Craig’s chats with Great Dark Wonder HERE and with FYI Music News HERE
Get Late Mornings from craigrobertsonmusic.com

For his third full-length effort, Late Mornings, Toronto singer/songwriter Craig Robertson turned to Cowboy Junkies co-founder Michael Timmins (no slouch as a songwriter himself) for production assistance, and together with Robertson’s regular cast of players they crafted a dozen songs that cast a light onto dark territory few artists dare tread upon. By choosing detail over confession, Robertson acts more like a guide throughout the album, shifting between scenes populated by characters teetering on the brink—as on the opening track “Drunk In Vegas”—or simply wondering when exactly the world passed them by—as on the heartbreaking “Decker Hollow.”

Late Mornings brims with such description of life’s other side, a skill Robertson has honed over the past six years since he quit a full-time job to solely concentrate on making music. “I had always written songs, but it was always on the edges of my life,” he says. “Now it’s central, something I do every day. My best songs come from real life situations or feelings, so I’m constantly pursuing that muse and jotting down ideas.”

Robertson also notes how his creative evolution is linked to how his band, consisting of guitarist/mandolin player Bob Strome, bassist Jamie Thwaites and drummer James Clark, has gelled in recent years through regular gigging. Indeed, Late Mornings was laid down virtually live at Timmins’ studio The Hangar in only five sessions, with many of the songs being first takes. Robertson later added background vocals, along with lap steel by Andrew James Barker and fiddle by James McKie.

Although Robertson may downplay the narrative aspects of his music, Late Mornings is much like a great short story collection, a work of art that one can become totally immersed in, and reveals new insights each time it’s revisited. With it, Craig Robertson has made an undeniable claim to be mentioned alongside Canada’s best contemporary singer/songwriters.

Jon Stancer’s “Now That Summer Is Gone” tops New Music Weekly charts!

Jon Stancer

Congratulations to Toronto alt-pop singer/songwriter Jon Stancer, whose new single “Now That Summer Is Gone” has topped New Music Weekly‘s Indie chart, and also cracked the Top 10 on its Hot 100, alongside Taylor Swift, Maroon 5 and Ariana Grande! Give it a listen and decide for yourself if it isn’t the song of the season:

 

With its modern day Beatle-esque approach and soaring chorus, “Now That Summer Is Gone” perfectly shows off Stancer’s immense melodic gifts, honed over years as a vocalist and guitarist within Toronto’s alternative music scene. With For The Birds, Stancer set out to make a layered pop album, and achieved that goal in collaboration with producer Jono Grant, creating a collection of lush and lavish hook-laden rock ‘n’ pop songs connected by lyrical themes that touch on reclusiveness and resurgence, regret, revision and rejuvenation. Songs feature a multitude of instruments, sounds and opulent arrangements worthy of L.A.’s legendary 1960s studio collective, The Wrecking Crew.

Get Jon Stancer’s For The Birds here:
iTunes
CD Baby
Bandcamp

Stancer-Indie Chart

Stancer-Hot 100

Paul Kelly returns Oct. 12 with Nature!

Paul Kelly Cover RESIZE

I’m very excited to be working again with Australian music legend Paul Kelly on his new album, Nature. Check out the first single “With The One I Love”!

Following the triumphant success of his 2017 album Life Is Fine, Australia’s greatest and most enduring songwriter, Paul Kelly, returns in 2018 with his new studio album Nature, set for global release on October 12 through his label Gawd Aggie Recordings, distributed by Cooking Vinyl.

Nature is launched by the single “With the One I Love” and a video directed by Siân Darling, shot in Melbourne’s Old Magistrates’ Court, where Ned Kelly was famously tried and sentenced to death in 1880. Kelly explains, “I’m on trial in the witness box, Mojo Juju plays the judge and Vika and Linda are my defence lawyers.”

“With the One I Love” continues in a rocking spirit similar to that of last year’s “Firewood and Candles” (which won Paul the coveted APRA Award in Australia for Song of the Year) and again echoes the melodic guitar rock of Paul’s ’80s work with the Messengers.

Kelly entered the studio in Melbourne earlier this year to record Nature with his esteemed band: Peter Luscombe on drums, Bill McDonald on bass, Ash Naylor and Dan Kelly on guitars, and Cameron Bruce on keyboards. “I love playing with them,” he says. “They can morph from delicate scientists to big riff rockers and all states in between.” The album also features the vocals of Vika and Linda Bull, his daughters Madeleine and Memphis Kelly, Alice Keath and Kate Miller-Heidke.

Nature brings together poems from five literary greats — Dylan Thomas, Walt Whitman, Sylvia Plath, Gerard Manley Hopkins and Phillip Larkin — alongside poems that Kelly wrote himself and later put to music, and his own original songs that came along in the usual way, as sounds sung to chords that then turned into words.

Explaining the creative process behind Nature, Kelly says, “I’ve been playing around with poems since 2012 and it’s now become another way for me to write songs. I think most writers get sick of themselves and their own habits so it’s a happy surprise, after 40 years of writing songs, to find a new way.

“What links them all is the natural world — trees, birds, animals, plants, dust, desert, water —and human nature’s small place in that world. Most of the pieces were written over the last four years in and around the recording sessions for The Merri Soul Sessions, Seven Sonnets and a Song and Life Is Fine. I didn’t realise I had the makings of another album until I put the songs in a folder and saw the titles staring me in the face. Sometimes you don’t know what you’re doing until you look back.

“I think of Nature as a companion piece to Life Is Fine, itself full of moons, rain, rocks, rivers, seas, smells and lovers.”

Kelly’s Platinum-certified 2017 album Life Is Fine debuted at #1 on the ARIA Albums Chart, giving Paul his first ARIA Number One album in his long career. At last year’s ARIA Awards — Australia’s equivalent to the GRAMMYs — Kelly took home Best Male and Best Adult Contemporary Album, along with Best Cover Art and Engineer of the Year. These results ensured Kelly a remarkable 14 ARIA Award wins from a career tally of 51 nominations.

Nature will be available physically in both standard and deluxe versions. The standard version is the 12-song single-disc CD and vinyl.

Jennifer Holub premieres “Island” video at Roots Music Canada

Jennifer Holub-Verticle

Click on the moose to watch Jennifer Holub‘s new video, “Island,” now at Roots Music Canada!

logo-4

There are several definitions of the word “reckoning,” but the one that’s been foremost on Jennifer Holub’s mind is the most ancient—punishment for past misdeeds. That theme runs through the 10 songs on the Sudbury, Ont., native’s sophomore album, The Reckoning, a collection set for release on Sept. 28 that she envisioned from the start as a feminist call to action.

Working with co-producer Jonathan Danyliw (Murder Murder, Pistol George Warren) and engineer Matthew Wiewel, The Reckoning marks a major artistic step forward for Jennifer, who builds on her previous Americana-tinged sound with a range of elements—everything from vintage soul to EDM—that add up to a reflection of her northern environment: pastoral, cold and resilient, elements captured brilliantly in the video for the first focus track, “Island.”

“This was a very emotional project to make,” Jennifer says. “Some of the leads in the video shared with me that the scene they were depicting, or something very similar, had happened to them or a family member in real life. As for the male characters, they are all feminists in their own right, and as a result, they were all very uncomfortable acting in this. Some had to take some time to consider their participation, but ultimately they realized that their participation would have an overall positive impact. When putting out a call for extras in the restaurant scene, I was overwhelmed with the support. My extended family, fellow artists, and former kindergarten students all volunteered. It was a very touching day.”

Wax Mannequin launches tour, releases video for “People Can Change”

Wax Mannequin-colour pic

Wax Mannequin (aka Hamilton, Ontario’s Christopher Adeney) is now on tour in support of his seventh album, Have A New Name, released June 22 through Coax Records/Outside Music [GET IT HERE]. To coincide, he’s also released a surreal new video for the anthemic track “People Can Change” [WATCH IT BELOW].

As Wax Mannequin, Adeney has established himself as a profound lyricist and songsmith, as well as a self-effacing showman. His music also reveals him to be a student of the human psyche, constantly finding fresh and interesting ways to frame the people we are and the things we encounter. All of that is gloriously displayed on Have A New Name, the result of Adeney reuniting with producer Edwin Burnett, with whom he made some of the first Wax Mannequin recordings in the early 2000s.

Working in a small east-end Hamilton industrial space containing an array of vintage and modern gear, the pair—along with percussionist Mark Raymond—crafted Have A New Name’s eight songs out of semi-impromptu sessions that eventually expanded with the addition of grand piano, gamba da viola, double bass and a 12 piece choir. The end product is the most sonically ambitious Wax Mannequin album to date, and also arguably the most powerful.

WAX MANNEQUIN TOUR DATES
Wed. July 18 :: The Townehouse :: Sudbury ON
Thurs. July 19 :: Downtown Street Fest :: Sault Ste Marie ON
Fri. July 20 :: The Foundry :: Thunder Bay ON
Sat. July 21 :: Brandon Folk Fest :: Brandon, MB
Sun. July 22 :: Johnnie’s Social Club :: Flin Flon MB
Tue. July 24 :: Cafe Koi :: Calgary AB
Wed. July 25 :: Royal On Baker :: Nelson BC
Thurs. July 26 :: The Wise Hall (Lounge) :: Vancouver BC
Fri. July 27 :: Hootstock :: Forest Grove BC
Mon. July 30 :: Elks Lodge :: Vernon BC
Thurs. August 2 :: Rolla Pub :: Rolla BC
August 3-6 :: Artswells :: Wells BC
Wed. August 8 :: Nancy O’s :: Prince George BC
August 10-12 :: MOM Festival :: Fort St James, BC
Tues. August 14 :: The Aviary :: Edmonton AB
Wed. August 15 :: Black Cat Tavern :: Saskatoon, SK
Thurs. August 16 :: The Windsor Hotel :: Winnipeg MB
Fri. August 17 :: The Foundry :: Thunder Bay ON
Sat. August 18 :: Lop Lops :: Sault Ste Marie, ON