JASON SCHNEIDER MEDIA

With over 450,000 combined Spotify streams off their first singles, it’s safe to say there’s been a lot of anticipation for The Hello Darlins’ debut album, Go By Feel. It began building almost immediately after the Calgary, Alberta-based Americana collective debuted on the scene in early 2020, with American Songwriter calling the group “the product of a talented pool of session musicians craving more,” while Americana UK stated, “It’s great to see a band put together by the talented folks who would usually be ‘behind the scenes.’” On Go By Feel, this incredible collection of talent that include band founders Candace Lacina, Mike Little and Murray Pulver, along with The Bros. Landreth, Matt Andersen and more, has forged a hybrid of country, gospel and blues like no other, from the heart-wrenching ballads “Aberdeen” and “Prayer For A Sparrow” to the classic country-rocker “Mountain Time” and the album’s soulful title track.

Inspired by their intense love of Martin Scorsese’s classic concert film The Last Waltz, Ryan and Sam Weber followed their rock ‘n roll dream from Baltimore to Canada to become full-fledged members of Ronnie Hawkins’ storied back-up group The Hawks. Twenty years and twelve self-released albums later, the Webers have spread their wings, and a reputation as the “Baddest Band in the Land” now precedes them. Featuring 13 new songs ranging from old school rock to psychedelic power pop, with all vocals and instrumentation handled by the Webers and their childhood friend Timothy Bracken, Choose Your Own Adventure gives an engaging glimpse of how far they’ve come since they were just three boys in the back seats of an elementary school bus singing songs.

Nathan Lawr is one of the unsung heroes of Canadian indie rock, having served as the drummer-of-choice for artists including Feist and FemBots, while also being a key collaborator in the 1990s Guelph, Ontario scene that spawned Constantines, Jim Guthrie, Royal City and Sea Snakes. In 2000, Lawr began releasing acclaimed albums of self-penned folk songs, but made a dramatic turn a decade later in forming Minotaurs, a politically-charged, Afrobeat-inspired group that continues to be a going concern. However, Lawr’s urge to establish himself as a more traditional singer-songwriter never faded. It’s resulted in Apocalypse Marshmallow, Lawr’s first solo album since 2013’s Chance Encounter—eight songs that were truly eight years in the making. The extra time and care has indeed produced Lawr’s finest solo collection, one that boldly displays even more dimensions of his seemingly limitless musical range, from indie rock swagger to meditative balladry.

There are many other ways to describe Janet Cull’s third full-length album Hear It, but at its heart it is a reflection of her (and our) often complicated relationships, expressed through a voice unlike any other in Canada. Having firmly established her reputation up to this point in her native Newfoundland—where she has been honoured with multiple MusicNL Awards—Janet is now poised to make her mark everywhere else with 12 songs that one could be forgiven thinking were recorded in Memphis or Muscle Shoals in the early ‘70s. In fact, Hear It was recorded in St. John’s with co-producer Mark Feener and a band consisting of some of Janet’s trusted collaborators including multi-instrumentalist Jason Howard, guitarist Brad Jefford and bassist Josh Ward. Having this core group record the album’s basic tracks live in the studio was the key element in allowing Janet’s voice to fully soar, and the results are simply stunning, and a must-hear for any fan of classic soul music.