Congratulations to 2022 East Coast Music Awards nominees Scott MacKay and Janet Cull! Click the covers below to buy their records. The ECMA’s take place May 4-8 in Fredericton NB.


In spite of everything, 2021 was an amazing year for music. I had the pleasure of working with many incredible artists, and here’s a playlist featuring my favourite songs by 26 of them. Of course, the majority can be classified as Americana, but there’s also some power pop, experimental pop, Reggae, and even a sea chanty. I’m looking forward to sharing even more great sounds from Canada in 2022!
Calgary, Alberta-based roots music collective The Hello Darlins have been nominated for three 2022 Canadian Folk Music Awards. The group, formed around vocalist Candace Lacina and keyboardist Mike Little, earned nods for Ensemble of the Year, New/Emerging Artist of the Year and Single of the Year for “Still Waters” (feat. Matt Andersen).
It’s been a wild ride since The Hello Darlins appeared on the scene virtually out of nowhere just over a year ago, but during that time they have been featured in American Songwriter, AmericanaUK, The Bluegrass Situation, Maverick Magazine, Lyric Magazine, Rock ‘N Reel and many other outlets.
The Hello Darlins’ debut album Go By Feel is available now on all digital platforms and through thehellodarlins.com. More information on the 2022 Canadian Folk Music Awards will be announced soon.
NEW + UPCOMING RELEASES / SUMMER 2021
With over 450,000 combined Spotify streams off their first singles, it’s safe to say there’s been a lot of anticipation for The Hello Darlins’ debut album, Go By Feel. It began building almost immediately after the Calgary, Alberta-based Americana collective debuted on the scene in early 2020, with American Songwriter calling the group “the product of a talented pool of session musicians craving more,” while Americana UK stated, “It’s great to see a band put together by the talented folks who would usually be ‘behind the scenes.’” On Go By Feel, this incredible collection of talent that include band founders Candace Lacina, Mike Little and Murray Pulver, along with The Bros. Landreth, Matt Andersen and more, has forged a hybrid of country, gospel and blues like no other, from the heart-wrenching ballads “Aberdeen” and “Prayer For A Sparrow” to the classic country-rocker “Mountain Time” and the album’s soulful title track.
Inspired by their intense love of Martin Scorsese’s classic concert film The Last Waltz, Ryan and Sam Weber followed their rock ‘n roll dream from Baltimore to Canada to become full-fledged members of Ronnie Hawkins’ storied back-up group The Hawks. Twenty years and twelve self-released albums later, the Webers have spread their wings, and a reputation as the “Baddest Band in the Land” now precedes them. Featuring 13 new songs ranging from old school rock to psychedelic power pop, with all vocals and instrumentation handled by the Webers and their childhood friend Timothy Bracken, Choose Your Own Adventure gives an engaging glimpse of how far they’ve come since they were just three boys in the back seats of an elementary school bus singing songs.
Nathan Lawr is one of the unsung heroes of Canadian indie rock, having served as the drummer-of-choice for artists including Feist and FemBots, while also being a key collaborator in the 1990s Guelph, Ontario scene that spawned Constantines, Jim Guthrie, Royal City and Sea Snakes. In 2000, Lawr began releasing acclaimed albums of self-penned folk songs, but made a dramatic turn a decade later in forming Minotaurs, a politically-charged, Afrobeat-inspired group that continues to be a going concern. However, Lawr’s urge to establish himself as a more traditional singer-songwriter never faded. It’s resulted in Apocalypse Marshmallow, Lawr’s first solo album since 2013’s Chance Encounter—eight songs that were truly eight years in the making. The extra time and care has indeed produced Lawr’s finest solo collection, one that boldly displays even more dimensions of his seemingly limitless musical range, from indie rock swagger to meditative balladry.
Graham Brown is that most rare of species – a bona fide roots rock guitar hero. Since he was first heard in 1984 playing with Canada’s alt-country pioneers Jr. Gone Wild, Brown’s rich and graceful style has evolved alongside his songwriting. Vancouver-based Brown and his band mates, guitarist/keyboardist Rob Blackburn, bassist John Werner, and drummer Mark Gruft are keeping their remarkably consistent winning streak intact with their latest effort Spirit And Soul, 11 new original songs that once again carry on the high energy, melodic, no-frills spirit of Tom Petty & The Heartbreakers and Uncle Tupelo. Ironically, Spirit And Soul captures the Graham Brown Band in top live form just before pandemic lockdown restrictions were implemented in March 2020. The album was cut in a single day at Edmontone Studios in Edmonton, Alberta before the band’s gig in town that night, although any “live-off-the-floor” raggedness is nearly impossible to detect. The Graham Brown Band is just that good.
The Lucky Ones hail from the Yukon in Canada’s Far North, the territory made famous by the Klondike Gold Rush. That rugged spirit lives on in a lot of the music created there, music that members of The Lucky Ones heard through their parents, who heard it from theirs. It’s the sound that filled barrooms and taverns, and brought people together for barn dances and kitchen parties. Now, The Lucky Ones — singer/guitarist JD McCallen, singer/guitarist Ian Smith, singer/mandolinist Ryan West, banjoist Aaron P. Burnie, and fiddler Kieran Poile — are bringing it to the ears of their generation through their self-titled debut album. It is indeed those stories that are at the heart of The Lucky Ones, which was recorded at St. Paul’s Anglican Church in Dawson City. That same weekend, they played a Sunday gospel set for the congregation, the perfect complement to the album’s “Saturday night” feel. Like their peers Old Crow Medicine Show and Gillian Welch, The Lucky Ones’ reverence for tradition is balanced by a drive to write in their own voices.
There are many other ways to describe Janet Cull’s third full-length album Hear It, but at its heart it is a reflection of her (and our) often complicated relationships, expressed through a voice unlike any other in Canada. Having firmly established her reputation up to this point in her native Newfoundland—where she has been honoured with multiple MusicNL Awards—Janet is now poised to make her mark everywhere else with 12 songs that one could be forgiven thinking were recorded in Memphis or Muscle Shoals in the early ‘70s. In fact, Hear It was recorded in St. John’s with co-producer Mark Feener and a band consisting of some of Janet’s trusted collaborators including multi-instrumentalist Jason Howard, guitarist Brad Jefford and bassist Josh Ward. Having this core group record the album’s basic tracks live in the studio was the key element in allowing Janet’s voice to fully soar, and the results are simply stunning, and a must-hear for any fan of classic soul music.
As the follow up to his 2020 Juno-nominated album Easy Keeper, Stray Dogs finds Del Barber bridging his past and present. Conceived during pandemic isolation at his rural Manitoba home, the eight songs on Stray Dogs are drawn mainly from Del’s large stock of previously unfinished demos, given renewed focus and polish by his longtime band and producer Scott Franchuk. Paring things down to the bone, the acoustic-based Stray Dogs captures the essence of Del’s art, of which Rolling Stone wrote, “Like John Prine (one of his primary influences), Barber writes the types of songs his characters might listen to themselves.” From the first single “Meantime”—a show of support to his favourite venue in Winnipeg—to the heart-swelling closer “Just A Little Heat,” written with his father, Stray Dogs is a powerful reflection of the resilience we have all displayed over the past year. It also shows how Del has emerged even stronger, and how he truly deserves a place among Canada’s most celebrated singer-songwriters.
COMING IN SEPT – OCT!
Gordie Tentrees – Mean Old World
Kyle McKearney – Down-Home
Joe Nolan – Scrapper
Jaclyn Reinhart – Sleep With Ghosts EP
The Redhill Valleys
Lonnie James
Lawrence Maxwell
T. Buckley
Jr. Gone Wild
Kyle McKearney and his band play his latest single “Keepin’ It Simple” live at Ill-Fated Kustoms in Calgary. Stream or purchase HERE!
The Weber Brothers perform “Toys In The Junkyard” from their new album Choose Your Own Adventure. Recorded for Live! at the Barn. Get the album HERE!
VISSIA performs three songs from her album With Pleasure — “On My Mind,” “The Cliffs,” and “Never Gonna Be The Same” — recorded at Benalto Sound, Benalto, Alberta
John Borra with Sam Ferrara and Mike Boguski perform John’s “Off My Feet” from his album Blue Wine, and “Sleep” by Art Bergmann. Recorded for Canadian Music Week 2021’s Virtual Showcase series.
It was only in January 2020 that John Borra released his critically acclaimed album Blue Wine, but for obvious reasons it already feels like a lifetime ago. Normally, the veteran Toronto artist would have spent the past year doing what he’s always done best: Playing his ragged-but-right alt-country to his loyal audience, both at home and across Canada.
Instead, Borra has adapted to promoting the album in new ways, mainly through honing his video skills. However, now he’s utilizing his more well-known audio engineering chops by offering a new mix of one of Blue Wine’s standout tracks, “The Wars.” As one of the three songs on the album co-written with the award-winning poet Eva H.D., “The Wars” has a special meaning for Borra, which is why he felt compelled to revisit it.
He explains, “We wrote this song after everything else was recorded and mixed, but I was able to record it just in time to get it on the record. Because of the rushed nature, I never felt it had been given its proper due so I thought I’d give it a new mix and release it as a single. I re-did the bass but otherwise it’s the same song as on the record, just given a little extra love and attention it didn’t get the first time around.”
Indeed, “The Wars ‘21” glows with a classic country warmth, accentuated by Borra’s signature, timeless vocal performance. It is available April 23, 2021 on all digital platforms, and Bandcamp.
Happy release day to Toronto singer/songwriter Bryce Thomas‘ Across The Neuro Seas!
Bryce made Across The Neuro Seas — his first collection since 2015’s Immovable Feast — in his home studio during a month-long creative burst at the beginning of the 2020 pandemic lockdown.
Curating the songs as if they were a short story collection, Bryce didn’t hold back musically, performing all vocals, guitars and keyboard tracks along with a variety of other instruments, only making exceptions for drums and some bass— performed remotely by Marito Marques and Chris Monster, respectively—a horn section, and additional vocals by his wife Lisanne. Tracks were later mixed by Josh Bowman and mastered by João Carvalho.
On songs such as first single “Perpetual Motion Machines,” “Young Lovers” and “Summer Nights In Summertime,” Bryce exquisitely captures a range of emotions in an immediate manner through his distinctive brand of folk-rock, while expressing the power of experience elsewhere on “Widow’s Walk” and “Hope And Chance,” two songs that had sat on the shelf for 25 years until finding their moment.
Indeed, when asked to describe his musical evolution, Bryce gives a straightforward answer: “Long.” Making music has been a part of his life since early childhood, and he became an active figure in the Toronto indie scene of the 1990s, recording an album with his art rock band Pellet at the city’s leading rock radio station Q107 and later creating and hosting a weekly songwriter’s circle at Queen Street West club Holy Joe’s that ran for two years.
During that period, Bryce was a regular on Toronto stages and a passionate supporter of numerous Canadian singer/songwriters of that era. Across The Neuro Seas pays tribute to some of them with the song “Up Around The Bend,” incorporating lyrics by Hawksley Workman, Joel Plaskett, Sarah Slean and Danny Michel.
The final results on Across The Neuro Seas clearly show that he made the right choice. While there are sure to be many “what I did during my pandemic lockdown” records on the horizon, Bryce Thomas’s Across The Neuro Seas bears all the hallmarks of a true folk-pop auteur, with its timeless sound sure to remain relevant long after we’re allowed to once again get close to our loved ones.
Get Bryce Thomas’ Across The Neuro Seas from Bandcamp, and watch the video for “Perpetual Motion Machines.”